Drawn to nature and the passage of time, I often begin with walking — collecting found objects, noticing fleeting shadows, horizon lines, and reflections. These moments become visual notes, later transformed through enamel and the printed surface into abstracted expressions.

For me, enamel has a meditative quality — a reflective space where emotion, memory, and place merge through process.  

My practice moves fluidly between materials — from enamel, print and textile, to the unbound book — allowing new ways of seeing and assembling fragments together. Playful experimentation and mindful photographic observation are central to my work, each piece a quiet conversation between material, memory, and mark.